Introduction
The
culture of ancient Greeks (as of no other population) was permeated with music
(which was inseparable from poetry and dancing).
Ancient
Greek music used an enormous variety of many different modes (Mixolydian,
Lydian, Phrygian, Dorian, Aeolian, Ionian, etc.) instead of the two (Major and
Minor scales) of contemporary western music. The ancient modes reappeared in
our days in Jazz with the same ancient Greek names.
Furthermore,
it was richer with the "chromatic" and "henarmonic genus"
(and their "colourings") which supplemented the "diatonic",
used exclusively today.
Finally,
it bequeathed to us the theory of "musical intervals" which have
suffered, however, in modern European music, the "brutal" blending
for the benefit of polyphony at the expense of the perfect natural musical
intervals studied thoroughly by the ancient theorists of music (from Pythagoras
and Aristoxenus to Ptolemy).
The
multitude of artistic depictions and bibliographic references with the sporadic
extant musical fragments in the ancient notation ("parasimantiki")
allow us the reconstruction of numerous musical instruments and the revival of
ancient Greek music.
The song of Seikilos
From the roughly 50 preserved
musical texts of antiquity, the song of Seikilos constitutes the most ancient
complete musical composition worldwide.
It is an inscription and a
sensational song with a diachronic message, which Seikilos (a lyric poet and
musician of the Hellenistic years) dedicated to Euterpe (presumably his wife).
They were engraved on a small, round, marble tombstone dated from the 2nd
century B.C.
The inscription
"I am an icon, not a stone
Seikilos placed me here
as a deathless remembrance
αn
everlasting monument."
The song
"While
you live, shine
feel no
sorrow
life is
short
and time
demands the end."
The pillar was
discovered in 1883, in Tralleis (near Ephesus) of Asia Minor. It was lost in
1922 during the Asia Minor destruction. It was accidentally found (broken at
its base) in the garden of a woman who used it as a base for a flowerpot. Today
it is exhibited in the National Museum of Denmark constituting an everlasting
monument as Seikilos had wished.